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Análise Musical I

A Análise Musical no Século XX e seus antecedentes: modelos e teorias. A questão da pertinência.

BENT, Ian - Analysis (The new Grove handbooks in Music,) Londres, Macmillan, 1987
COOK, N. - A guide to musical analysis, London, Dent & Sons, 1987. Analysis through composition: principles of the classical style, Oxford University Press, 1998
COOPER, G. W. & MEYER, L. - The rhythmic structure of music, Chicago, University of Chicago, 1960
FORTE, A & GILBERT, S. - Introduction to Schenkerian Analysis, New York/London: Norton, 1982.
DUNSBY, J. & WHITALL, A. - Music Analysis in Theory and Practice. N. Haven, Yale, 1988.
HASTY, Christopher - Meter as Rhythm, Oxford University Press, 1998
KRAMER, L. - Music as Cultural Practice 1800-1900. Berkeley, Los Angeles, London: University of California Press, 1990
LERDAHL, F. & JACKENDOFF, R. - A generative theory of tonal music - Cambridge: MIT, 1983.
MEYER, L. - Emotion and meaning music. Chicago: University of Chicago,.
MEYER, L. - Style and music, Philadelphia, Un. of Pennsylvania, 1989.
NATTIEZ, J.J. - Musicologie générale et sémiologie - Paris: C. Bourgois, 1989
______. - Music and Discourse, Princeton, Princeton University, 1990
ROSEN, C. - The classical style, London: Faber & Faber, 1976.
______ - Formas de Sonata, Barcelona: Lator, 1982.
SCHOENBERG, A - Fundamentals of musical composition, London: Faber & Faber, 1967.
STEIN, L. - Structure & Style, Princeton: Sunny Brichard, 1965.
TARASTI, E. - A theory of music semiotics, Indiana, Indiana Un. Press. 1994.

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